Marina Abramovic, Rhythm 0, 1974
This was a 6 hour performance. Laid out on a table were 72 objects the audience could manipulate in any way they wanted to upon her body. As time passed, the audience became more and more aggressive towards her and by the end she was injured and violated; her clothes taken off her body. Many of the audience members were frightened when she cut off the performance; they thought she would retaliate.
She was confronting the audience and raising their awareness about their potential for violence, particularly towards women. They placed their desires onto her passive and inert body.